Natalie Mann

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About

Natalie

Soprano Natalie Mann is an internationally active recitalist, admired for the clarity of her vocal line, sustained legato, and refined musical expression. Now based in France, she performs regularly in recital and concert throughout Europe and the United States, in repertoire ranging from early music to art song and contemporary works. A dedicated champion of salon music, she is committed to reviving this intimate art form through programs that combine stylistic rigor with a strong sense of narrative.

Her Carnegie Hall debut, in a program devoted to American women composers, was met with critical acclaim and confirmed her standing as an artist of both refinement and expressive depth. Particularly drawn to imaginative programming and the exploration of new repertoire, Ms. Mann has released solo albums that reflect this artistic focus, including her album Rendezvous in the Salon, a world-premiere chamber music release (Albany Records); Experience, featuring art songs by Lori Laitman and Richard Pearson Thomas (Albany Records); and she has appeared as Sarah in The Mask in the Mirror, a chamber opera by Richard Thompson (Navona Records).

As a concert soloist, she has appeared with the Chicago Symphony Orchestra, the South Shore Orchestra on two New Year’s tours of China, and the La Jolla Symphony and Chorus, performing major works such as Beethoven’s Missa Solemnis and Symphony No. 9. Her operatic repertoire includes leading roles in works by Mozart, Verdi, Bizet, and Gounod, though her artistic activity is focused primarily on recital and concert performance.

Ms. Mann is the winner of the Hawaii Public Radio International Art Song Competition and was a finalist in the Gerda Lissner Competition. She is also a recipient of a Metropolitan Opera Encouragement Award. She holds advanced degrees in Vocal Performance from Indiana University in the United States and the University of Wollongong, Australia.

Recordings

Purchase Rendezvous in the Salon and Experience on iTunes and Amazon, or stream on Spotify

Come Enjoy a Live Concert

Upcoming Shows

Natalie Mann and Jeffrey Panko

Classical, Champagne and Cabaret!

Natalie Mann and Jeffrey Panko bring sparkle and effervescence to an evening of music hosted by the German American Society. Their March 26 performance at 6:00 p.m. opens with classical vocal and piano works by Brahms, Berg, and Robert Schumann. Following a festive...
Natalie Mann

Concert in France – Monbos, Dordogne

Les Amis de l’Église de Monbos ont invité Natalie à se produire lors du premier concert de la saison 2026, le 5 juillet. Le programme comprendra des chansons de Purcell, Dowland et Duparc, ainsi que des airs de Mozart. Les bénéfices seront reversés à la chapelle de...

South Shore Orchestra

Natalie had a wonderful time singing holiday music with the South Shore Orchestra under the direction of Maestro Troy Webdell. They toured all over China. Including sites like Xian, which are the bell tower photos, Ulanhot, Inner Mongolia, which are the folks in...

Past Shows

October 2, 2023 – Rancho Mirage Library Lecture Series 

October 2, 2023 – Rancho Mirage Library Lecture Series  YouTube Video link. Opera has many traditions – and one of the most famous is how the female heroine meets a tragic fate. The stereotype is so commonplace that it became a sports analogy when sportswriter Dan...

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Lunchtime Concert Series presented by TOC Concert Hall

Natalie was joined by long-time collaborator Jeffrey Panko on piano to much acclaim on their Portland, OR debut concert.  Featuring  Gershwin’s “Summertime” and the iconic “Knoxville: Summer of 1915” by Samuel Barber, the program included chansons by Faure and a...

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Additional Past Performances

Opera

Hélène, Presented by the Fine Arts Network, with Natalie Mann singing the title role.

Violetta in La Traviata with Capitol Opera

Suor Angelica with Riverside Lyric Opera, featuring Natalie Mann in the title role. 

Hanna Glawari in The Merry Widow with Independent Opera Company

Electra with Capitol Opera Company in highlights of Mozart’s Idomeneo

Nella in Gianni Schicchi with Riverside Lyric Opera

Lady Macbeth in Independent Opera Company’s production of Verdi’s Macbeth

Musical Theatre

Christine in Phantom of the Opera with College of the Desert  

Stepmother in Into the Woods with Performance Riverside

Anne in Rented Christmas with Escondido Players Theatre

Queen Aggravain in Once Upon a Mattress with Escondido Players Theatre

Miss Olsen in Promises, Promises with Downer’s Grove Players

Aldonza in Man of La Mancha on Indiana University Mainstage

Donna Anna in Pacific Opera Project’s production of Don Giovanni.

Orchestral Work

Beethoven 9th Symphony with La Jolla Symphony and Chorus, La Jolla, CA

Avak the Healer by Alan Hovhaness with the South Shore Orchestra

Soprano Soloist in Beethoven’s Missa Solemnis with the La Jolla Symphony and Chorus.

Featured soloist, “Flower Duet” by Delibes, Chicago Symphony Orchestra

Concert Series

Old Church Luncheon Concert Series, Portland, OR. Featuring, Knoxville: Summer of 1915. Natalie Mann, soprano and Jeffrey Panko, piano.

Rancho Mirage Library Concert Series, Rancho Mirage, CA. “A Classical Christmas” Natalie Mann, soprano and Bruce Mangum, piano.

Lunch Hour Rush Concert Series featuring Natalie Mann, soprano; Bridget Hough, piano; William Wood, bassoon.

Voyage à Paris (Rancho Mirage Library Music Series) in Rancho Mirage, California. With Jeffrey DeLeur on piano.

Fourth Presbyterian Church Noonday Concert Series. Featuring Schubert’s Shepherd on the Rock and works by Strauss, Boulanger, Faure and Blitzstein. With Jeffery Panko, Piano and Mark Allen, Jr., Clarinet. 

Classics at the MERC. With Ed Yarnelle, piano

Collaborative Chamber Concert featuring the works of David Conte and Marc Blitzstein. 

Go Red for Women Concert, Weill Concert Hall, Carnegie Hall, New York (solo debut)

Video Performances

Reviews

Reviews for "experience"

“… a gleaming, shimmering sound that seems to emerge with little or no effort, floating on a seemingly inexhaustible stream of breath. One must appreciate the flawless legato line with which she sings even the most difficult of these songs, and the easy warmth with which she rides the highest climaxes.”

– Gregory Berg reviewing the CD ‘Experience’ for the Journal of Singing.

“Natalie Mann’s high notes soar with no tension, and her full and balanced tone from top to bottom dances with Jeffrey Panko, whose sensitive clarity creates a musical organism between them throughout the concert.”

 

– The Opera Insider

“She has a warm and rich tone less common in lyric sopranos, and both Strauss’s writing and the German language embrace and support her technique gloriously.”

 

– The Opera Insider

“Her soprano soared with fullness of tone through the climaxes; no high note seemed to tax her. Dramatically, she turned into the victimized creature Puccini intended her to be.”

 

– The Herald-Times

“…Natalie Mann, (as Sarah), whose ingratiating vibrato makes her character unmistakably seductive. Mann and Humes sing a love duet that soars…”

– Opera News

“Ms. Mann’s voice soared over the other sisters in timbre and character every time she sang, conveying a wealth of emotions ranging from maternal concern for the other nuns to grief, passion and celestial bliss in the latter half of the opera”

 

– Coril Prochnow

“The show was ruled, however, by soprano Natalie Mann, who sang and played the title character, Hanna Glawari, brilliantly. From her glamorous first entrance, she wears the role elegantly and with distinctive style. Mann’s voice and technique are superb top to bottom, and her acting smooth and unruffled, embodying the character right down to the aristocratic accent that was consistent in both sung and spoken lines.”

 

– Singerpreneur.com

“Natalie Mann’s heartfelt performance as Amelia (Un Ballo in Maschera) was a moment of beauty.”

 

– Lauri’s List

“Her performance alone is well worth the price of the ticket…”

 

– Valley Roadrunner

“The leads, Macbeth and his Lady, were played by Michael Blinco and Natalie Mann, who are both so secure in their parts, and so good together, that they could take these roles tomorrow to almost any stage.”

 

– Lauri’s List

REpertoire

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